Marianna in O'Donnell's

For Nerds: 🎞️ Film: Kodak Portra 800, Kodak Ultramax 400, 🔎 Lens: Zeiss ZM 21mm f/2.8, Zeiss ZM 35mm f/2.0, ⚡ Flash: Contax TLA 140, 📷 Camera: Leica M-A (Typ 127), 🖨️ scanned from negative with a Plustek 8200i, edited in Lightroom

Marianna in De Pijp

For Nerds: 🎞️ Film: Kodak Gold 200, 🔎 Lens: Zeiss ZM 35mm f/2.0, ⚡ Flash: Contax TLA 140, 📷 Camera: Leica M-A (Typ 127), 🖨️ scanned from negative with a Plustek 8200i, edited in Lightroom

Eniko in Budapest on expired film

For Nerds: 🎞️ Film: Hansa 100 (expired in 2000, shot as ISO 16), 🔎 Lens: Brightin Star 28mm f/2.8, 📷 Camera: Leica M-A (Typ 127), 🖨️ scanned from negative with a Plustek 8200i, edited in Lightroom

Eniko in Sicily

For Nerds: 🎞️ Film: Kodak Gold 200, 🔎 Lens: Brightin Star 28mm f/2.8, 📷 Camera: Leica M-A (Typ 127), 🖨️ scanned from negative with a Plustek 8200i, edited in Lightroom

Double Exposure Shibari

This was my first go at doing double exposures. I shot two rolls of film with Dolf tying Sick Ducks, then reloaded the same films and shot them again, but this time with a bunch of candles I'd set up on a desk with a black background.

To get the frames to line up perfectly, most photographers use a pen to mark the lines of the first frame on the film, so when they load it again, they know how to position the film. I kinda skipped that step, so I had no clue where the candles were gonna end up in the final images.

It’s super rewarding to see them align just right, it almost feels like magic.

Bonus photo with Pablo:

For Nerds: 🎞️ Film: Ilford XP2, 🔎 Lens: Zeiss ZM 35mm f/2, the candles were double exposed over the original with the Brightin Star 28mm f/2.8, 📷 Camera: Leica M-A (Typ 127), 🖨️ scanned from negative with a Plustek 8200i, edited in Lightroom